The legendary German auteur Werner Herzog presented his newest film, “Cave of Forgotten Dreams,” in 3D, to kick off the brand new DOC NYC festival. New York’s avant-garde silver fox David Byrne and his pal, Annie Clark (a.k.a. St. Vincent), donned bulky 3D specs along with the assembled crowd of NYU film students and cinephiles in NYU’s Skirball Center to take Herzog’s three-dimensional tour of France’s Chauvet caves.

Discovered in 1994, the caves contain perfectly preserved paintings done during the ice age, over 32,000 years ago -– the earliest known images of mankind. Herzog is one of only a handful of people who have been granted access.

“Cave of Forgotten Dreams” includes the cheeky commentary you expect from Herzog as well as the breathtaking beauty. When at one point in the film a scientist demonstrates Cro-Magnon spear-throwing technology, Herzog remarks, “I think you would not kill a horse throwing that way.” Early in the film, he sets the caves’ striking images of warring bison, mating lions and galloping horses to the sounds of a human heartbeat.

In Herzog’s version of a twist ending, the director imagines that crocodiles have given birth to albino offspring due to the nuclear power plant nearby, then ponders futures crocodiles’ perceptions of Chauvet’s cave paintings. Fans who saw Herzog’s “Bad Lieutenant: Port of Call New Orleans” will note a trend in the director’s new reptile obsession.
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In the Q&A that followed the screening, Herzog played the jovial provocateur, commenting that he is wary of labeling himself an artist, as he sees the art world as corrupt and misguided with its brokers and general interest in turning a profit. The statement drew applause.

Defending his use of 3D technology, which some film enthusiasts regards as a gimmick, Herzog declared, “A film like this absolutely must be in 3D.” He noted that while he’s very skeptical of the technology and its trendiness and overuse, it would have been impossible to capture the beauty of the stalagmites, stalactites, calcified bones and paintings of the Chauvet caves in any other format. “You need fireworks like ‘Avatar’,” he conceded. But the studios’ real interest in 3D movies? Herzog says it’s all about the profits. “3D films are impossible to pirate,” he said.

Next up for the prolific director? Herzog will narrate a shortened version of Russian filmmaker Dmitry Vasyukov’s four-hour-long black and white documentary about hunters in Siberia.

source:wsj.com

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