Archive for April, 2010

iPad users whine: “Where’s my flash video content?”

I’d be happy simply being able to watch video on my iPhone Facebook page. But even if it was Flash equipped,  AT&T’s network is not up to the task of streaming video effectively.

For all the talk about Apple pushing towards a more open method of sharing video using HTML5,  Dan Rayburn reminds us:
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“Apple’s decision not to support Flash on their devices is purely a business decision…”

First Soccer, Golf, Ice Hockey in 3D… now what?

I think Tennis lends itself to great stereo images as the cameras can get low and close in on the action,  The green backgrounds are pleasing and not distracting and the yellow ball really pops!

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RED Digital Cinema: NAB 2010

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Michael Cioni defends the Red “ Shooting 4K for online is not overkill!”

“In the web filmmaker community, a recent debate has been whether the next generation of Ultra-High Resolution is advancing too fast for the creatives and the Internet to keep up.”

Chud.com presents an article that is both enlightening, yet cautionary as it offers commentary by one of the leaders in Red Camera Post workflow, Michael Cioni, founder of Lightiron Digital.

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Michael Cioni will be leading a RED CAM workshop in Venice California, Saturday April 24th. http://filmschool.ph/LAworkshops

Video Flashback: The Passing of VHS

They don’t call it Vertical Helical Scan for nothing.


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I still prefer Betamax and rue the day that they lost the format war.

Scorsese throws his hat into 3D ring

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The Shark is back! Lightworks goes open source

Techie-Buzz.com reports that EditShare bought the company and are rolling it out again.  I have fond memories of this pioneer N.L.E. that was developed by three blokes in a garage in England and went on to capture the hearts and minds of Hollywood film editors.  This was my first experience with digital editing (1993) and despite crashing a lot,  the original interface always seemed pretty intuitive alongside the “KEM style” controller. Shortly thereafter Tektronix bought the system and promptly drove it into the ground. Soon Avid became the “last man standing” and the fine folks of Tewkesbury stopped answering the telephone.
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12 Top Broadcasters Join Up To Develop Mobile Content Service

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“No 3D Cheese Please”, sez former Mouse House Katz

“If you are asking people to pay a premium price, you better deliver” said Jeffrey Katzenberg in his hastily arranged address to the National Association of Broadcasters at their annual convention in Las Vegas.  The consensus among blogsters is that 3D has arrived (or rather returned after a very long hiatus) thanks to the tireless efforts of Mr. Katzenberg.  But he reminded the industry that this is not necessarily a done deal.

In earlier comments, Katzenberg has been highly critical of cheap 2D to 3D conversions such as the recent release of Clash of the Titans, which took 8 to 10 weeks to quickly deliver.
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Katzenberg noted that  a successful conversion done the right way may take up to 18 months and cost a minimum of $20 million. “Not everyone is going to have the resources to do it right.”

Sports and gaming will be the early drivers in the home” said Katzenberg suggesting that TV audiences are more forgiving when it comes to quality.

Example of a 3D Broadcast Rig

James Mathers of DCS talks to Larry Thorpe about the use of Canon lens in 3D production

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